“Her iterative process includes exploring tangible materials to find an art piece composition that can transfix an audience—an experiential state of being that results in lingering long enough to appreciate the art while wondering about the underlying communication,” say adjunct faculty member Rhode Island School of Design and researcher University of Texas–Austin.
“As an artist who has worked with light as her medium for a distinguished career, we believe Sally has much of value to share with our readership,” they say in their profile “Sally Weber: Making Art from Light” in the May/June 2018 issue of IEEE Computer Graphics and Applications.
Sally Weber discusses her work, ELEMENTAL.
Outdoor art: Weber creates sun arcs and water fountains with holographic optics
The first two images depict some of Weber’s earlier work, LightScape and FocalPoint, in which she uses holographic optical elements.
LightScape is a solar installation using holographic optical elements and acrylic. Sited on Kresge Lawn of the Massachusetts Institute of Technology, the sculpture is designed to reflect the sun’s arc across the site and Kresge Auditorium’s curved roof. The holographic elements float above the ground and alter in color with the sun’s angle and the viewer’s distance from the installation.
FocalPoint is a solar water fountain with holographic optical elements, glass pipes, steel, and a water system. Designed to focus sunlight into three lines of light that scan across the floor and walls in response to the sun’s motion, the fountain is installed at the Boston Museum of Science overlooking the Charles River in Boston.
A laser pendulum called InFLUX
Below are two representations of InFlux, part of Weber’s recent solo exhibit, Elemental.
InFlux, the laser pendulum installation, suggests an experience of being elementally interconnected, says Sally Weber.
Laser pendulums draw in the sand leaving a trace of their path as color patterns building up over time. InFLUX is a two-part laser pendulum installation in Elemental, at the Butler Institute of American Art in Youngstown, Ohio.
Above is a series of stills from InFLUX. Over time, patterns emerge and fade to be redrawn as the pendulums interact, collide, twist and pass by each other.
Aiming for a ‘sense of wonder’
Weber describes the laser traces as a fundamental element of InFLUX that catches you in a moment of silence, neither thinking nor feeling, just transfixed.
“As an artist, occasionally, I hope to catch someone before words. In that place there is experience. I aim for that ongoing sense of wonder when one has to stop long enough to see and feel,” says Weber.
About Lori Cameron
Lori Cameron is a Senior Writer for the IEEE Computer Society and currently writes regular features for Computer magazine, Computing Edge, and the Computing Now and Magazine Roundup websites. Contact her at firstname.lastname@example.org. Follow her on LinkedIn.